Indonesia is a beautiful country consisting of more than 17,000 islands, the vast Indonesian archipelago spans 5,120 km across the equator, positioned between the Asian and Australian continents. Four-fifths of the area is sea with the major islands of Sumatera, Java, Kalimantan, Sulawesi and Papua. The 300 ethnic groups that exist harmoniously give birth to a potpourri of cultures and fascinating people. The major ethnic groups are: Minangkabaunese, Malay, Javanese, Sundanese,Maduranese and Ambonnese. Arab, Chinese and Indian immigrants have also settled in regions throughout the country, particularly in the coastal cities.(created by Damayanti Purba)
Although the process of decorating cloth through the process of batik is found in several regions in Africa or India and even in some South East Asian countries, the batik of Indonesia is unique and unequaled.
Indonesian Batik is made in several regions, but the center of the art is Central Java, in cities like Yogyakarta, Solo, Cirebon, Pekalongan and Indramayu.
The pride of Indonesians to wear batik till the present day has preserve this art of textile.
The beauty of Batik is a tribute to the patience, creativity of the woman of Java, the main island of Indonesia. Credit should be also given to men who prepare the cloth and handle the dyeing and finishing process.
Batik is generally thought of as the most quintessentially Indonesian textile. Motifs of flowers, twinning plants, leaves buds, flowers, birds, butterflies, fish, insects and geometric forms are rich in symbolic association and variety; there are about three thousand recorded batik patterns.
The patterns to be dyed into the the clothe are drawn with a canting, a wooden ‘pen’ fitted with a reservoir for hot, liquid wax. In batik workshops, circles of women sit working at clothes draped over frames, and periodically replenish their supply of wax by dipping their canting into a central vat. Some draw directly on the the cloth from memory; others wax over faint charcoal lines. (Taken by Nebu Sauyun)
Although the process of decorating cloth through the process of batik is found in several regions in Africa or India and even in some South East Asian countries, the batik of Indonesia is unique and unequaled.
Indonesian Batik is made in several regions, but the center of the art is Central Java, in cities like Yogyakarta, Solo, Cirebon, Pekalongan and Indramayu.
The pride of Indonesians to wear batik till the present day has preserve this art of textile.
The beauty of Batik is a tribute to the patience, creativity of the woman of Java, the main island of Indonesia. Credit should be also given to men who prepare the cloth and handle the dyeing and finishing process.
Batik is generally thought of as the most quintessentially Indonesian textile. Motifs of flowers, twinning plants, leaves buds, flowers, birds, butterflies, fish, insects and geometric forms are rich in symbolic association and variety; there are about three thousand recorded batik patterns.
The patterns to be dyed into the the clothe are drawn with a canting, a wooden ‘pen’ fitted with a reservoir for hot, liquid wax. In batik workshops, circles of women sit working at clothes draped over frames, and periodically replenish their supply of wax by dipping their canting into a central vat. Some draw directly on the the cloth from memory; others wax over faint charcoal lines. (Taken by Nebu Sauyun)
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